Rarely-produced musical gets its amusement park day in the sun

By CARRIE NEAL
A Seat on the Aisle

There are two kinds of people in this world: those who love amusement parks, and those who don’t. My family is in the former group, and moreover, all four of us love roller coasters. But no matter how much you love coasters – and maybe even especially if you love them – you can’t help wondering what might happen if something goes wrong when you get to the top of that hill.

It’s not too much of a spoiler to say that Ride the Cyclone is about what happens after a terrible roller coaster malfunction. I’d intended to give at least a thumbnail synopsis; since this is a musical I had zero familiarity with, I thought others might be in a similar position. But this is a show best experienced with a sense of mystery and discovery, so I’ll just say this: if you like whimsy, humor, physical comedy, and excellent vocals, not to mention deep meditations on life and homages to classic musical theater, then this is the show for you.

Ben Asaykwee as Karnak. (Photo by Rob Slaven / IndyGhostLight.com)

The excellent scenic design sets the tone perfectly for an evening of wonder. It’s such a treat to see a maximalist approach to set design, in contrast with the stripped-down sets that have become de rigueur in recent years – from community theater all the way up to Broadway. Designer David B. Vogel gives us a backdrop composed of the wooden support beams for the coaster, with its name adorning the top. Various accoutrements such as trunks and tricycles give off a vintage Coney Island vibe.

This is further enhanced by masterful props design from Kristin Renee Boyd. Oversized shelves line the sides of the stage, stuffed with large carnival prizes and toys. Furthermore, specialty pieces that are obviously handmade and labor-intensive are used to great effect throughout the show.

Director KT Peterson has drawn assured performances out of this group of youthful actors. Each gets their own moment to shine, and all are excellent, with the exception of a couple of longer monologues that sag a bit in energy and intention. As Karnak, Ben Asaykwee has the toughest job of the night: he’s stuck in a box, can only move robotically, and has to freeze for long periods of time. Happily, none of these limitations keep him from making the audience laugh uproariously throughout the evening.

Vocal direction from Ginger Stoltz is also exceptional. (The show is tracked, so there is no conductor or music director.) This material is tough, but under her guidance, the vocals sound effortless.

A rarely-produced musical theater gem is getting its day in the sun at the Phoenix Theatre Cultural Centre, so don’t miss it! This show just might be the talk of the town for the next four weeks. Ride the Cyclone runs at the Phoenix through Aug. 2, Thursdays through Sundays. Showtimes vary, and tickets may be purchased online at phoenixtheatre.org.

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