By KELLYN MERRELL
A Seat on the Aisle
That Other Theater Company’s St. Sebastian by Andrew Kramer is undoubtedly a product of our unique zeitgeist.
This play, which made its world debut in 2022, feels intensely connected to modern American thoughts and fears. Under direction by Jay Hemphill, three actors perform this 90-minute dark comedy which explores the relationship of a gay white couple who move into a black neighborhood.
Eric Olson plays Ben, a former priest, who convinces his partner Gideon, played by Joe Wagner, to move into a fixer-upper with him. Ben intends to flip the house, but fails to tell Gideon they are entering a historically black area. Gideon is appalled, insisting that buying a home in a black space with the intention to fix it and sell for profit is how white people erode and replace the local culture. As Gideon tries to help Ben “not to be a gentrifier,” their ongoing argument about what it means to be part of the problem devolves as they each work to rationalize their own beliefs about what it takes to be decent.
Their complicated relationship is juxtaposed by Reuben, as portrayed by Jy’lerre Jones, whose innocent playfulness serves as a reminder of how hope and lightheartedness can be a powerful tool in finding the strength to push forward when you fear a misstep.
Eric Olson’s performance as Ben was so natural, I liked his reactions just as much as his lines. His work with Wagner in the beginning was effortlessly intimate, and their warmth toward each other onstage was outright infectious. His performance didn’t feel entirely relaxed at first, but I was very impressed with the myriad of complex feelings portrayed, his wounds so open I couldn’t help but sympathize.
Joe Wagner as Gideon was openly loving and vulnerable. Seeing him onstage with Olson felt like real representation, and at their best, I saw my own queer relationship reflected in their love for one another. Their pace was excellent and their banter was natural. Their movements felt authentic and they escalated so well together. Wagner’s heart-on-his sleeve characterization always felt unguarded and genuine. He has me convinced that he must fully understand the character in order to have played him so well. His openness and emotionalism was never overdone, but created the perfect opposition for Olson’s steadfastness.
Jy’lerre Jones made Reuben feel like a real person, so much so that he reminded me of my own friend. He was passionate, effortlessly transitioning between playful and apprehensive. He was earnest, whether gesturing wildly, sharing his thoughts, or making a point. Jones’ work made for a truly moving monologue at the story’s end.
Lighting Designer Tim Dick did a great job, using the right amount of color during transitions, or between day and night. There were subtle differences depending on mood, but the lights stayed simple while highlighting the actors. Sound Designer Ben Dobler also had believable end products, which went off exactly as needed without a hitch. Costume Designer Jacob Harris helped emphasize each character’s distinctive personality.
Director Jay Hemphill surely helped solidify the chemistry between the leads, which was marvelous. The two truly seemed drawn to each other. I also loved his use of space and touch in his blocking. I applaud the use of Intimacy Coordinator Chris Saunders, whose work in helping each touch feel loving and sincere really brought these moments close to my heart.
On a personal note, I felt bothered by race being the plot device used to perpetuate an ongoing argument between white people, and I therefore have trouble endorsing it. The acting was wonderful, and this show is certainly thought-provoking, but I expected more from a play praised for intersectionality. This was definitely a show by a white person about white people. My thoughts are nuanced, but to avoid spoilers, I’ll end them there.
To enjoy the hard work of those involved, and their undoubtedly immersive payoff, please go to indyfringe.org for ticket information.
That Other Theatre Company’s St. Sebastian runs through Feb. 8 at the IF Theatre in Indianapolis.
Read more great play reviews from A Seat on the Aisle at asota.wordpress.com.